COAX
COMPOSITE
ANALOGUE COMPOSITE OUTS
Analogue needs sufficient shielding depending on the cirumstances, digital does not, the Xonar has both a hybrid optical/coax digital out and a 124dB SNR analogue L-R composite(RCA) out.
Bit matching insures the source material is outputted untouched, bit-for-bit accurate, that's it. I can bit match anything.
As much as I wish I had golden ears to hear 43kHz frequencies, and discern 16bit depths from 24bit, I don't, and humans DO NOT. Most SACD/DVDA are mastered very differently, and people assume it's the high bit-depth and sample rate. If one would convert the same DVDA to CD 16/44.1, one wouldn't succeed in an ABX test (discern whether random sample is A or B) (It's worth trying). Most audiophiles assume they have super human ears, I am not one of them, I have tested my abilities objectively.
My grammar is proper, you might want to focus on attacking the arguement sir.
Sorry, I assumed that was your main set of headphones for critical listening, and I still assume they are, since you'd have your best set in your sig, right?
I just thought it was strange when you started talking about colouration of the audio, while using one of the most notoriously coloured headphones on Head-Fi.
I try.
-I don't know anything
-You learn
-I'm a know it all and a fool
Really? Thanks.
I wouldn't use such a feature.
DVD-A
24-bit (X 6) = 144db SNR
96khz = 43kHz (2 samples needed to construct sine wave)
I feel you might being a little hypocritical. the dB scale is a log scale, so you are saying that 10^(1/124) is rediculous, then saying 10^(1/144) is completely fine?
This is worth a read
http://www.atpm.com/6.03/digitalaudio.shtml
I'm really glad I got atleast one reply up to your standards, I try my best.
I think we can clear stuff up well here.
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