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I have also not come up with a good, consistent, low-cost way of recording sound....been searching for awhile now If I find anything, you'll definitely be one of the first to know Cathar
All down to the microphone... I'm a firm believer in using flat-response Active Ribbon Mics for this purpose... run direct into digital recorder, not via any preamp or channel strip. Problem with recording fan noise, everyone has a volume knob at playback. All results become relative, and influenced by the characteristics of the speakers being used to play back that noise. You can never produce a fair representation that will be consistent regardless of playback medium. All you'll find is a level of compromise.
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In-duct, Open - inlet/outlet, Spherical radiation, Hemispherical radiation.
A fan manufacturer can publish noise information for various installation conditions.
It is important to consider the use or installation conditions of a fan when checking a manufacturer’s noise data. The information given may not always be appropriate and it is as well to check. As is the case with Sound Power Levels, Sound Pressure Levels must be quoted or each Octave Band if a complete picture of the effect of the noise on the human ear is required.
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THE ENGINEER MUST CLEARLY DISTINGUISH AND UNDERSTAND THE DIFFERENCE BETWEEN SOUND POWER LEVEL AND SOUND PRESSURE LEVEL. HE MUST ALSO APPRECIATE THAT dB RE 10-12 WATTS AND dB RE 2x10-5 Pa ARE DIFFERENT UNITS WITH NO ABSOLUTE FORMULAE CONNECTING THEM.
It is impossible to measure directly the Sound Power Level of a fan. However, the manufacturer can calculate this level after measuring the Sound Pressure Levels in each octave band with the fan working in an accepted acoustic test rig.
What he cannot do is unequivocally state what Sound Pressure Levels will result from the use of the fan. This can only be done if details of the way the fan is to be used, together with details of the environment it is serving, are known and a detailed acoustic analysis is carried out.
A disadvantage of the Decibel scale is that values cannot be added or subtracted using the normal arithmetic rules. Decibel values must be converted back into absolute units of power (Watts), when they can be added or subtracted directly before re-converting back into ecibels. However, this tedious process can be avoided by using the following simple but approximate method. Column 2 shows how much must be added to the higher of two sound powerlevels to obtain the equivalent combined level, when the dB difference between the two levels is shown in Column 1.
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As an example, if one fan has a sound level of 50dB, and another similar fan is added, (the sound level is doubled). The combined sound level of the two fans will be 53dB. If two more fans are added, i.e. the sound source is doubled again, the resultant sound level from all four fans will be 56dB.
If the first fan had a sound level of 50dB and another, larger fan with a sound level of 55dB was added, the difference between the two is 5dB, so 1dB is added to the higher figure, giving a combined level of 56dB.
To estimate the effect of distance from a sound source the rule of thumb calculation is very simple. Sound normally weakens by 6dB each time the distance from the sound source is doubled. i.e. a sound level measured as 60dB at 1 metre will be 54dB at 2 metres and 48 at 4 metres.
Smaller fan sound levels are sometimes measured at 1m, whereas the industry standard is becoming standardised at 3m, for comparison purposes. The difference between 1m and 3m is therefore 9dB. (41dB@3m) and 50dB@1m are in effect the same).
*SNIP*
Unfortunately, the majority of fan manufacturers indicate the noisiness of their products by Sound Pressure Levels expressed in dBA (or dBC). These figures refer to the Sound Pressure Levels which would be experienced by an observer at a distance of 3m (or occasionally 1m or 3 x fan diameters) from the fan if both were suspended in an infinitely large and empty volume (technically called Free Field). To say the least, this is a very unlikely set of conditions and these dB values must only be used to compare the noisiness of similar types of fan!
It cannot be stressed too often, that on no account must the engineer be tempted to assume that the Sound Pressure Levels quoted in manufacturers’ catalogues will in anyway be similar to those achieved in practice. Depending on circumstances, they can be substantially exceeded or reduced.
Thought of objectively, using dBA to describe the noisiness of a fan is as absurd as stating the output of a heater in terms of the temperature it would produce three metres from its face if it were suspended in space! It will be better for all involved when only Sound Power Level information is used to specify fan noise. In the meantime, engineers must always be careful to check how noise information is expressed.